2016 is the 100th annual antiques show at L’Isle sur la Sorgue. Known world-wide as a haven for antique shops, bargain hunters, collectables and sheer beauty, L’Isle is aptly called ‘The Venice of the South’ due to its many waterways which thread through the old town.
Twice a year the weekly (Sunday) antique fair explodes and covers the whole town and the nearby large park – Place Gautier.
This year’s fair is from 25-28 March.
The season is in the starting blocks. Kick off is soon.
Activity begins with the re-opening of a new show, Chagall, in the Carriere de Lumieres near Les Baux-en-Provence (about 15km from St Remy-de-Provence).
Located in the heart of the regional Alpilles park near to the tourist hub of St Remy-de-Provence and the Roman town of Glanum, lies this unusual attraction – appealing to locals and tourist alike. Once a working quarry, the Val d’Enfer was exploited for industrial purposes until 1935. The white colour of the limestone and its ease of extraction meant that these quarries had been worked since the second century BC.
These quarries(carrieres) were used to construct Glanum, the nearby medieval village and castle of Les Baux-en- Provence. It is from this name that we have ‘bauxite’ – a red mineral extracted and used for aluminium since the 1800s. A special saw – the Crocodile Saw – was developed and could be used by one man and was pulled only one way at a time. About a metre of stone was cut per day, per man!
The quarry has been taken over by CreateSpace a well know Paris-based entertainment and museum company to create a stunning sound and light spectacular. This year in the fourth show they have done and promises to be a spectacular one.
Marc Zaharovich Chagall (July 7, 1887 – March 28, 1985), was a Russian-French artist skilled in several major artistic styles. Chagall was one of the most prominent artists of the 20th century. He was an early modernist who was proficient in nearly every artistic medium, including fine art prints, painting, tapestries, book illustrations, ceramic, stage sets, and stained glass.
For more information on the new show and viewing times, click here.
Sunday 20th March 2016 is the 20th Anniversary of a local Luberon institution – the Maubec Spring Flower Show (Hortifleurs).
Each year, hordes of people throng to the flower market to select their annuals, peruse latest machinery, start their summer herb gardens and enjoy local hospitality – music, beer gardens, food stalls and wine bars. A great occasion.
Hortifleurs is held in the sports gorunds of Maubec, in the shadow of the old village from 08h00-19h00.
Ample parking is available. Local schoolchildren help with the humping of purchases.
Each French village has one – some have more than one. The Blacksmith – le ferronniere – is part of the heart beat of any village or community. The reason being is that so much building and decorative materials are made of iron and dealing with medieval sizes and shapes means that not much can come ‘off the peg’.
Menerbes has a real character: Andre “I’ll have it done by the end of the week” Dominique. ‘Dom’ to all and sundry is one of the most likeable people around and loves to promise jobs with a wide smile – however, he never specifies, which week.
Consequently, patience is required and when the job does finally arrive, it is always well made and, affordable. Pre-quoting is also not one of his strong points. Dom has now opened a showroom in the village – his studio is in the countryside – and since then he has delusions of becoming an ‘artiste’ not just a ferronniere.
We recovered an old Singer sewing machine stand, painted green many years ago and Madame hit upon the idea that it should become a table in the garden. Off to Dominique it went, we were promised ‘la fin de la semaine’ and, lo and behold, it arrived, all done!
Few emblems of Provence – or of France – are as universally familiar as the tidy, olive-green cubes which are stamped Savon de Marseille. Mild and all-purpose, this olive-oil-based soap is among France’s most ubiquitous products, and it’s as gentle on your skin as it is on laundry, floors and even your houseplants. For generations, this little green cube has held a cherished place, not only in the south of France, but throughout l’Hexagone and beyond its borders. Savon de Marseille is also an essential for travellers who are looking for an easily transportable, authentic piece of Provence to bring home with them.
However, chances are – 80 per cent, to be precise – that the little piece of Provence in your bag isn’t authentic Savon de Marseille. The scores of shops and manufacturers who sell soaps emblazoned with a Savon de Marseille stamp will tell you is that their wares are ‘the real thing’ as they contain 72 per cent olive oil and are made in the Bouchesdu-Rhône département of Provence. But that isn’t the whole truth, according to the soap-makers Marius Fabre, and they should know, since 2015 marked the company’s 115th year of producing genuine Savon de Marseille.
“The natural resources of Provence are ideal for soap making: abundant olive oil, soda and sel de mer from the Camargue salt flats”, says Laurence Clavier, the head of marketing and communications for Marius Fabre. “The local Savon de Marseille has been manufactured in Provence for a thousand years, but it was only during the time of Louis XIV that soap-making became a protected French heritage product.”
Marius Fabre, based in the small town of Salon-de-Provence, are one of only four savonneries to use the age-old techniques sanctioned by Louis XIV under the ‘Colbert edict’ of 1673, which required that all French trades form guilds and lay down a set of rules and standards for each one, formalising their expertise. For savonniers, this meant that, firstly, the soap had to be 100 per cent vegetable-based, and secondly, it had to be made in open-air cauldrons. The other three savonneries that still follow these age-old standards – La Savonnerie du Midi, Fer à Cheval and Savonnerie du Sérail – are all based in Marseille. Like Marius Fabre, they still use olive oil and a method which sees giant, open-air cauldrons overseen by a master savonnier.
A Venerable History
In 1900, when 22-year-old Marius Fabre set up his factory, he was just one of approximately 14 savonniers in Salon-de-Provence, a small town which had built up around the trade. Some 65 kilometres south-east lies Marseille, which boasted no less than 100 savonniers.
“During the Belle Époque, Salon-de-Provence was already a centre for soap-making,” Clavier confirms. “An entire neighbourhood grew up around the production of Savon de Marseille.”
Two open-air cauldrons and a few drying blocks were all Fabre needed to get started. Business was steady and when World War 1 broke out, his wife Marie took the reins, to ensure that production remained continuous. Upon Marius’s return, the company continued to thrive.
“With the arrival of the railway in Salon, the town was growing quickly because of the new transport,” says Clavier, “not only for people to reach the area, but for the oils and supplies needed for soap making and for export.”
In 1927, Fabre moved the ever-expanding business to a larger premises in the centre of town, where it remains today, and acquired three enormous open-air cauldrons to use for the soap’s ten-day cooking process. These cauldrons, which are still in use at Marius Fabre, distinguish the real Savon de Marseille from those brands which would claim to be genuine.
In those days, making Savon de Marseille was a perilous process. Stirring the boiling soap over huge vats was dangerous, and required much strength and skill – in each savonnerie you’ll still see a statue of the Virgin Mary, which is meant to guard the workers against injury or even death. Enormous precision was also needed to determine the quantities of ingredients and their cooking times, which required the skills of a maître de savon.
“Our recipe is a closely guarded secret passed down from each maître de savon to his apprentice,” says Clavier.
Jean-Pierre Denne of Marius Fabre is one of only three soap-makers in France who has the right to call himself a maître de savon, and the title took him 15 years to earn. At Fabre, this know-how is shared from one generation to the next – Denne studied under another master and in turn is training his own apprentice, who must also earn his title.
Denne’s job requires not only expertise but also patience, as the five-step ‘saponification’ process mostly consists of waiting and watching. After mixing up to 20 metric tons of caustic soda and olive oil – to a ratio that varies depending on the variety of soap which is being produced– the huge ceramic cauldron is heated to boiling, whereupon the mixture becomes a viscous mass resembling a bubbling swamp. After ten days of cooking, which is constantly overseen by Denne, whose trained eye can determine the correct cooking level of if anything is going awry at any stage of the process, a paste gradually forms.
The resulting paste is washed several times, alternating salt and fresh water, in order to remove any residual impurities – this the process by which the soap earns the designation ‘extra pur’. As a final test to determine each batch’s purity, Denne actually tastes the paste – if it stings his tongue then another rinse is required.
The soap is then pumped upstairs, to drying rooms with wide-open windows and wall-to-wall concrete moulds which are dusted with talcum powder to prevent sticking. The molten soap flows like lava from moveable wooden troughs that have been in use since 1927, the only modern concession is that they’re now lined with stainless steel. Once the moulds are filled, the soap is smoothed like cake icing and left to dry for 48 hours, or less if Provence’s mistral winds are blowing.
When it’s dry to the touch but moist enough to be malleable, the soap is precisely measured out using old sets of compasses– a process that’s yet to be improved upon – then cut into square, 30-kilo blocks and taken to the stamping room.
The most labour-intensive part of the job, lifting the cubes was once done manually. Now Denne removes only the first block by hand and the rest is done by machine.
The outer crust of each block is cut, revealing a moist centre that’s both pleasant to the touch and soft enough to be cut into long, rectangular bars weighing just over two kilos each. These are stamped by hand, on all four sides, with the company’s distinctive logos and the legend ‘extra pur’. Using a wire, the bars are then sliced into squares by hand and placed on racks to dry, a process that’s never really finished – like a fine wine, Fabre’s soap can age forever, as the oils it contains only become increasingly concentrated over the passage of time.
Following the advent of petroleum-based soaps during the 1970s, the majority of the traditional savonneries in Salon-de-Provence and Marseille went out of business. Tours are still given of the graceful Belle Époque mansions in Salon’s Quartier des Savonniers, which were once owned by prosperous soap manufacturers but now house a variety of municipal offices.
Marius Fabre are the last savonniers in town to guard the old methods and scrupulously maintain the purity of their recipe, in accordance with the ‘Colbert edict’. The company’s now a fourth-generation family business and has been helmed by Julie and Marie Bosquet-Fabre, Marius’s great-granddaughters, since 2011. The sisters are determined to maintain the integrity of their product.
“You won’t find an inch-long list of ingredients on our labels,” confirms Laurence Clavier. “We still use only the three ingredients for the traditional 72 per cent olive oil soaps. And our ‘black’ Savon de Marseille, unlike other black soaps, which are made with linseed oil, is made with a very high concentration of olive oil.”
A patented process in continuous production for 115 years, the black soap comes in versions for the household, garden and body. Marius Fabre also uses high-concentration coconut and palm oils for their cosmetic soaps.
Since the 1980s, a surge in interest in environmentally-sound and gentle, healthy products for the body have caused people to take a second look at Savon de Marseille, which has resulted in a resurgence. Marius Fabre’s pure and natural soaps are once again highly sought after.
“Everything we make is natural and biodegradable,” says Clavier, “unlike most other Savons de Marseille, some of which are made with soap chips from China!”
That’s why Julie and Marie, along with the three other remaining authentic manufacturers of true Savons de Marseille, have instigated a movement to win the right to add an IGP (Indication Géographique Protégée) label. This would guarantee that the soaps bearing the label have no added fragrance, colour or additives; follow the specific 1673 manufacturing process; and that they’re made in or around Marseille. Although Marius Fabre already carry the prestigious EPV (Enterprise du Patrimoine Vivant, or Living Heritage Company) designation, the company have no way of educating the public about their products, except through their factory museum and tours of their original Salon-de-Provence facility.
In addition to the famous Savon de Marseille, the ‘black’ variety, laundry and garden soaps, Marius Fabre have created a cosmetics line of 11 delicately scented soaps, a shampoo, a body wash and lotion, and hand cream, all featuring natural Provençal fragrances crafted in Grasse.
The fight isn’t over yet, but if Marius Fabre and the other savonneries prevail, it’ll be a major victory in the struggle to protect a unique example of French savoir-faire.
If you’re in Provence, the Marius Fabre factory and museum are open to the public and you can purchase their full range at a beautiful boutique on the premises. For further info, visit www.marius-fabre.com.
Source – Marius Fabre.
In an effort to protect critical pollinizing insects from population decline, the French Agency for Food, Environmental and Occupational Health & Safety (ANSES) has proposed increased restrictions for the limited use of certain insecticides.
Neonicotinoids are a class of insecticidal substances that are accused of causing harm to important pollinizing insect species likes bees that are critical to the production of many types of food. ANSES has proposed extending the existing limits on using these chemicals to winter cereal crops.
The Ministry of Agriculture also released an extension to its plan to support beekeeping in France, including components to research and improve the way chemicals are used to limit bees’ exposure to them and increase the health of the nation’s pollinators.
The plan includes a fight against important health risks to bees: Improving consideration of bee health when using insecticides and decreasing the use of products that harm bees, creating collectives to monitor and fight against diseases afflicting bees, and developing efficient methods to fight against a major predator of bees – the Asian predatory wasp, an invasive species in France.
French Agriculture Minister Stéphane Le Foll announced that the government would spend 13 million euros each year for at least the next two years to support the beekeeping industry, with at least 7 million euros of that amount each year going to developing sustainable practices to protect bees, like alternatives to the neonicotinoid class of chemicals.
Around the globe, bee colonies have been showing signs of collapse and general poor health. While many people may not give much thought to the plight of bees on a regular basis, the issue is a critically important one to global food security and the environment.
According to a study by the National Institute for Agricultural Research – INRA, more than a third of the food produced on a global scale depends on pollinizing insects – particularly bees. The same study also showed that crop output can be increased by more than 20% on lands that have a larger number and greater diversity of pollinizing insects.
Source: French Food in the USA.
Charles de Gaulle said famously, “How can you hope to govern a country that has more types of cheese than days of the year?” The French just love their cheese and even if you are not happy shopping, or detest supermarkets, its worth popping into a French supermarket and seeing not only the variety of cheeses on offer, but also the amount of acreage given over to cheese.
Traditionally, there are from 350 to 450 distinct types of French cheese grouped into eight categories ‘les huit familles de fromage’. There can be many varieties within each type of cheese, leading some to claim closer to 1,000 different types of French cheese.
So, what’s the Top 10?
Brie de Meaux (AOC)
Pont l’Évêque (AOC)
Tomme de Savoie (AOC)
*AOC denotes that is in a protected class. Chèvre = goat’s cheese.
Etiquette note: Cheese is expensive and if you’re dining with French friends, dont tuck in as though there will never be a chance to eat cheese again – eat delicately, sip your red wine (Sacre Bleu! No port with cheese in France), and chat about the delicious flavours. In France, cheese is served between the main course and dessert and aften with a small green salad.